Perduti nel Paesaggio
Mart

28 May 2014

Photography, painting, video and installations all together in a major joint exhibition presenting the many forms of the idea of landscape in contemporary art. The continual modifications in the identity of visual languages in reaction to the emergence of new technologies, the reconsideration of the very concept of geography, transfigured by the relative nature of distance. These are just a couple of the many topics proposed by Perduti nel Paesaggio/Lost in Landscape, an exploration that covers a huge range of interpretations of places: Richard Mosse’s color-shifted territories of the Congo, Gabriele Basilico’s images of postwar Beirut, the miniatures of megacities created by Gabriel Orozco, the isolated nocturnes of Todd Hido. Landscape that has been documented, invented or reconstructed, in an exploration of the infinite ways of imagining space and its meaning.

Perduti nel Paesaggio/Lost in Landscape
Mart – Museo d’arte moderna e contemporanea di Trento e Rovereto
A cura di Gerardo Mosquera
Rovereto
5 aprile > 31 agosto

Gabriele Basilico, Beirut, 1991. Courtesy Gabriele Basilico / Studio Gabriele Basilico, Milano.

Gabriele Basilico, Beirut, 1991. Courtesy Gabriele Basilico / Studio Gabriele Basilico, Milano.

Michael Wolf, Architecture of Density #39, 2005. Courtesy Bruce Silverstein Gallery, New York.

Michael Wolf, Architecture of Density #39, 2005. Courtesy Bruce Silverstein Gallery, New York.

Richard Mosse, Hunches in Bunches, 2011. Courtesy Collezione privata. © Richard Mosse, Courtesy dellíartista e Jack Shainman Gallery, New York.

Richard Mosse, Hunches in Bunches, 2011. Courtesy Collezione privata. © Richard Mosse, Courtesy dell’artista e Jack Shainman Gallery, New York.

Szymon Roginski, Mazowsze#04, 2004, from Poland Synthesis, 2003-2006. Courtesy dell’artista.

Szymon Roginski, Mazowsze#04, 2004, from Poland Synthesis, 2003-2006. Courtesy dell’artista.

Fernando Brito, Tus Pasos se perdieron con el paisaje, 2010. Courtesy: Agencia Kairos S.L.

Fernando Brito, Tus Pasos se perdieron con el paisaje, 2010. Courtesy: Agencia Kairos S.L.

Davide Tranchina, Quaranta notti a Montecristo #4, 2012/2013. Courtesy dell'artista e Galleria Bianconi, Milano.

Davide Tranchina, Quaranta notti a Montecristo #4, 2012/2013. Courtesy dell’artista e Galleria Bianconi, Milano.

Carlo Andreasi, Fotologie. Poste italiane, 2010. Courtesy dell’artista.

Carlo Andreasi, Fotologie. Poste italiane, 2010. Courtesy dell’artista.

Massimo Bartolini, Panorama only we know, 2011. Courtesy dell’artista, CoCa Torun, PL, Galleria Massimo De Carlo.

Massimo Bartolini, Panorama only we know, 2011. Courtesy dell’artista, CoCa Torun, PL, Galleria Massimo De Carlo.

Rula Halawani, New Gates to Heaven, 2012. Courtesy dell’artista e Selma Feriani Gallery.

Rula Halawani, New Gates to Heaven, 2012. Courtesy dell’artista e Selma Feriani Gallery.

Glenda Leon, Habitat, 2004. Courtesy dell’artista.

Glenda Leon, Habitat, 2004. Courtesy dell’artista.

Luis Camnitzer, Landscape as an Attitude, 1979. Courtesy dell'artista e Alexander Gray Associates, New York.

Luis Camnitzer, Landscape as an Attitude, 1979. Courtesy dell’artista e Alexander Gray Associates, New York.

Gabriel Orozco, Island within an island, 1993. Courtesy Marian Goodman Gallery, New York.

Gabriel Orozco, Island within an island, 1993. Courtesy Marian Goodman Gallery, New York.

Carlos Garaicoa, Cuando el deseo se parece a nada, 1996. Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins Foto: Oak Taylor-Smith.

Carlos Garaicoa, Cuando el deseo se parece a nada, 1996. Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins Foto: Oak Taylor-Smith.

Carlo Guaita, Senza titolo (Pieghe, I, II), 2012. Courtesy dell'artista.

Carlo Guaita, Senza titolo (Pieghe, I, II), 2012. Courtesy dell’artista.

Jordi Colomer, Anarchitekton, 2002 - 2004. Courtesy MACBA Collection. MACBA Foundation.

Jordi Colomer, Anarchitekton, 2002 – 2004. Courtesy MACBA Collection. MACBA Foundation.


Fabio Severo

A journalist, he lives in Rome because it’s no longer fashionable, realizes photographic projects for the ZONA association and writes for StudioLinkiesta and L’Ultimo Uomo, among others. He runs a blog on contemporary photography, called Hippolyte Bayard, and has an ill-concealed obsession with tennis.


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