Right then, first things first, I’m going to try and make these posts a little less ‘isolated’ from now on – so here goes…. I’ve been busy recently making a series of works based around a symbolic language that I’ve developed called ‘Triangulated Binary‘. As (more)

Hopeless Diamond. 2011. CNC cut MDF, Wi-Fi blocking paint. 200 x 100 x 33.3cm.     Untitled (vacuum contained within glass sphere). 2011. Glass, mirror ball motor. Dimensions variable.     343,000 cubic centimetres of isolated space. 2011. Radar absorbent material, anodised aluminium. 70 x (more)

SPACE IN BETWEEN, LONDON. Private view – 22/9/2011, 6 – 9 pm 24/09/11 – 22/10/11 For Hopeless Communication James Irwin presents a series of sculptures exploring how form and function imbue an object with meaning. Addressing the idea that objects can be carriers or containers (more)

Zachary Eastwood-Bloom /   James Irwin /   Brendan Olley   /   Alida Rosie Presence Absence ran from 9th – 13th June 2011 at Kingsland Road Studio, a 3000 square foot basement space in East London. All photos © Philip Sayer

Proposal for a socio-technological intervention. In today’s world we are nearly always connected. Developments in wireless communication technologies have enabled us to access and interact with each other remotely, in virtually any environment, at any time. Where do we go to get away from it (more)

This blog will focus on the relationship between contemporary art and technology from the point of view of an artist that makes contemporary art about the relationship between art and technology. I’ll post interviews with young artist’s that make interesting work that I think more (more)