Working freelance, she indulges her restlessness and tries to transcend the self-referentiality of art. She writes for, among others, Domus, L’Uomo Vogue and Rolling Stone and oversees projects for institutions like the Moderna Museet and Performa. She has taken delight in scouting for artists ever since the time when, around ten years ago, she came across an unknown Nathalie Djurberg.