‘Problems 162,163 & 164′ and ‘Problems 170 & 171′ are faithfully recreated illustrations from a book of technical drawing problems with the annotation and text removed. With the information absent, the illustrations become abstract geometries; diagrams of the sublime that instil a quiet contemplation. ‘Problems…’ (more)

In the autumn of last year I was selected to participate in a project called Ex-Lab (Exploratory Laboratory) which is a series of five commissioned art project along the World Heritage Site of the Jurassic Coast of Dorset and East Devon. The project matches artists (more)

As part of her book Disruptive Tech. Ann Marie Shillito has asked me to write about my work and some of the processes involved in its making. Here is what I wrote: After leaving school I went to Art College, I didn’t know which area (more)

In applying for one of the Exploratory Laboratory commission in Dorset on the south coast of England I came across the work of Mat Chivers, a sculptor who has previously work with Ex-Lab in 2010. Mat’s work explores similar areas to my own work, his (more)

Ok, I’m probably a little late on this one as it is from June of last year but every now and again you see something that you wish you had thought of and this is the case with the work Just in Time from French (more)

For the last few weeks I have been exhibiting in a show titled ‘Metamorphosis’ at The Royal British Society of Sculptors in London. I am exhibiting a new table piece in the show called ‘Transmutation’ and this coming Wednesday (27-07-11) I am partaking in a (more)

In the 21st Century we have become remote islands, destinations to be reached via the electronic interface. We present ourselves for dissemination on the internet and in this process we change, we become disembodied ideas of ourselves; fragments of other people’s imaginations.

A few weeks ago I wrote a piece about nuances that occur during the three dimensional scanning process called ‘Disorienting the Machine’, looking at works by artists Dan Collins and Geoffrey Mann, since then a friend has sent me a link to the site of (more)

There is something refreshing about the way Martin Creed speaks about his work. For his current show at the Hauser & Wirth Gallery in central London he states a few things about his new monumental work ‘Mothers’, such as: “What I thought was that the (more)

I was recently leafing through the book ‘The Art of the Digital Age’ by Bruce Wands when I came up on a work titled ‘Twister’ by the US artist Dan Collins. This particular piece of work got me thinking about a new kind of process (more)